About Us

CGED Spotlight

Joint Statement on Yau Ma Tei Murder-Suicide Case
Issued by the Association for Concern for Legal Rights of Victims of Domestic Violence

Please click on the link below for a joint statement released by the Association Concerning Legal Rights of Victims of Domestic Violence to the press on September 14, 2017, with CGED as a co-signatory.
http://arts.hku.hk/file/upload/3350/Yau%20Ma%20Tei%20Murder%20Suicide%20Case%20-%20Joint%20statement%2014-9-2017.pdf

The statement is also featured on the Hong Kong Free Press website:
https://www.hongkongfp.com/2017/09/14/hong-kongs-media-must-show-sensitivity-reporting-domestic-violence/

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CGED is delighted to welcome these new colleagues whose areas of expertise include research on gender and diversity issues:

Professor Nicole Huang
Chairperson
Department of Comparative Literature

Professor Nicole Huang received her PhD in East Asian Languages and Cultures from the University of California, Los Angeles, and taught at the University of Wisconsin, Madison for 17 years before joining the University of Hong Kong recently. Her early work focused on literary and visual manifestations of human agencies through extraordinary times, including a monograph titled Women, War, Domesticity: Shanghai Literature and Popular Culture of the 1940s (Leiden, 2005) and an edited volume titled Written on Water: A Collection of Essays by Eileen Chang (New York, 2005). Her recent work engages visual and auditory culture of contemporary China, with a forthcoming book called Late Mao Soundscapes: Auditory Culture and Daily Practice of 1970s China. Her current research projects include a book-length study of the social use of photographic portraiture in Mao-era China and a monograph that highlights the “transnational” as it informs a body of Chinese language narratives across a century of violence, upheavals, and massive exodus. At the University of Hong Kong, Professor Huang will be teaching a range of courses in literature, film, media culture, and critical theory.


Course on offer in 1st semester 2017-2018
CLIT2025: Visual Cultures

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Dr Elizabeth LaCouture
Assistant Professor
Department of History

Dr Elizabeth LaCouture is a historian of gender, visual and material culture, architecture, and everyday life in modern China and East Asia. She has published articles in China Heritage Quarterly and The Journal of Design History, and her book At Home in the World: Family, House, and Home in Tianjin, China, 1860-1960 is forthcoming. Her current research is on the history of beauty and cosmetics in the Chinese world. Before joining the History Department at HKU, she taught history and East Asian studies at Colby College in the United States and was a research fellow in the Academy of Korean Studies funded Korean Family in Comparative Perspective research group at the University of Illinois. 

Course on offer in 1st & 2nd semester 2017-2018
CLIT1002: Introduction to Gender Studies

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Dr Vivian Sheng
Assistant Professor
Department of Fine Arts

Dr Vivian Sheng teaches courses on Chinese contemporary art, global feminist art history and transnational art and visual culture. Before taking her position at the University of Hong Kong, she was a lecturer in modern and contemporary art history and theory at the School of Arts, Languages and Cultures, University of Manchester, UK. Her current book project Everyday Extraordinary—Women, Chinese Avant-Grade Art and the Local-global Nexus (provisional) attaches specific importance to women’s contributions to the development of avant-garde art in mainland China and their transnational, transcultural artistic commitments since the 1990s, challenging the conventional discourses of Chinese avant-garde art, which marginalize women’s practices, and raising questions about the interaction and negotiation between women and globalization. She was a World Universities Network Research Mobility Fellow in Visual and Cultural Studies at University of Rochester, US in 2014 and a UCCL (Universities’ China Committee in London) Research Fellow at Asia Art Archive, Hong Kong, in 2016. Her interests include Chinese and East Asian contemporary art and visual culture, transnational feminist philosophy and theory, contemporary participatory and community-based art projects, and migration, diaspora, exile and ‘homemaking’ in modern and contemporary art.

Course on offer in 1st semester 2017-2018:
FINE3020 Women Making Art after 1960: Sexuality, Subjectivity and the Politics of Identity

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